Stone
Memorials
by Rachel Lamine
by Rachel Lamine
Christian’s eyes
lingered on the line of bricks, rising like a half-healed scar from the
pavement of the street. It was always a surprise, that thin, twisting line. I
had stumbled across it once, walking from the S-Bahn at Potsdamerplatz to where
the U-Bahn station dropped beneath the surface.
I had crossed over and
not seen before, distracted by the red cranes that crisscrossed above my head
in a canopy of steel. I shouldn’t have been surprised. I had seen the footage,
Potsdamerplatz a barren wasteland, so alien to the jungle of metal and lights
that lived today.
I knew how he felt, the
impact of the snake-like track on the mind, all that remained of the wall that
once smothered half the city.
But that was Berlin.
“So,” he said finally,
in a need to break the silence.
A car honked, and we
both jerked. We skittered across the street, away from Pariserplatz like dry
leaves in the wind, caught in the act of imagining. Neither of us spoke as we
moved, the figure of the angel Goldelse watching
from the top of her tower. We dodged a group of American tourists paying homage
to the graven face of Reagan in the sidewalk, his command a thundering force
rumbling across the years: “Mr. Gorbachev, tear down this wall!”
The echoes of hammers
and raw humanity hung in the air.
We halted in front of
the Soviet war memorial, the somber soldier lifting his head above the tanks,
one arm pushed toward the ground where his comrades had slaughtered, raped, and
died.
An image of my German
grandmother flashed in my mind, sitting beside me on the couch, her hair
impeccably curled as always, a pearl necklace smooth against the crags of her
neck.
“Mom, tell Cassie about
the war. She’ll find it interesting.” It was more of a command than a suggestion.
I could see in her eyes her desire to be loved, to be noticed, and so she spoke
in halting tones about how they had nothing, not even a real family. The bombs
exploded in the depths of her eyes, an old, old horror clawing against her
guarded words.
Her silhouette wavered in
the light of the window, a single tear that only I cared to see sliding down
her cheek.
“I’m cold,” Christian
said.
“You want to get
something to eat? I know a good place for döner kebabs on Wilhelmstrasse.”
He nodded, his hands in
his pockets to ward off the chill.
The winter air wrapped
around us, our boots heavy on the uneven cobblestone walk, as we tread back
past Reagan and the reptilian bricks, back into the pulsing mass of tourists
with their cameras and their silly pictures with Mario and Luigi and the
German-American and German-Russian actor soldiers in front of the Brandenburger Tor. We didn’t turn to
look at it, the majestic, symmetrical arch that reached for the limit of the
world, bearing Nike and her four horses—victory in all her glory.
Wilhelmstrasse was
empty after the energy that consumed Pariserplatz. A few Berlin Polizisten hunkered on the blocked off
area of Wilhelmstrasse in front of the British embassy. I had seen many like
them on May Day, hundreds of police fat with padding and shaped by shields,
their heads sheathed in bulb-like helmets in case the party in Kreuzberg
erupted in a surge of primal frenzy. Trash had littered the streets for days
afterward, something so un-German I would have been ashamed if my mother had
seen.
“One thing before we
eat,” I said. We turned the corner, off Wilhelmstrasse, toward the place where
the gray stones rose and fell.
“What’s this?”
Christian said when he saw it, and I knew the gentle slope of the stones played
tricks on the eye, a strange checkerboard of patterns carved out of the city.
“It’s the Jewish
Holocaust Memorial.”
The stones grew with
proximity, dark, rectangular wedges erupting from the square, waiting in
seemingly uniform rows like a dappled specter. The first of the stones reached
to my knee, and as we peered down the furrows I knew Christian could see the
undulations of the paths as they slipped down, down, down toward the center—a
chaos wrought of order.
We descended in slow,
deliberate steps, the stones rising to my waist, my neck, and stretching up and
up and up over my head.
The flat monoliths beat
with a primal, annihilating terror.
A stray pulse of
laughter echoed through the paths, ghost-like, distant. At the crossways, I
caught the glimpse of a child in red—full, solid, alive—then gone, disappeared
back into the bowels of the henge. We were hemmed in—trapped, bewildered,
terrified—bowed under the disintegrating horror of what had come to pass.
We emerged from the
other side gasping for breath.
“How do you do it?” Christian rasped, his
voice like stone.
A man in a fat winter
jacket turned his camera toward himself and stuck out his tongue. The shutter
snapped and the woman in white sneakers and sweat pants beside him said loudly:
“I wish we’d stayed back at the hotel.”
“Do what?” I asked.
“How do you live here
and not go mad from the weight of it all?”
I looked at him then,
his lips pressed together, his face a sickening shade of gray, like the
soldier, like the uneven, nauseating stones of the memorial.
“Because I have to,” I
said. “Because this is Berlin, but this is not Berlin at all.”
Later, on the S-Bahn,
we sat on one of the green swathed benches of the car as we slid beneath the
city streets. On the bustling platform of the Potsdamerplatz stop, I could
almost see the ghostly smear of an East Berlin guard waiting in the dark, a
prisoner of his own prison.
An old man and his
grandson pushed on to the train at Anhalter Bahnhof. Christian and I stood to
let them sit, and the old man gave us a tired smile as the tri-tone sounded to
signal the closing doors. The little boy bounced in his seat, a yellow scarf
wound around his mouth and nose. He climbed on his knees to look out the
window, vibrating with wide-eyed energy.
“Opa, why can’t I see
anything?” he asked, pressing his fingers against the gloom.
“Because we’re not out
of the dark yet.” The old man folded his gloves over his cane, his milky eyes
seeming to sing in the damp light of the car. “But we soon will be.”
Christian and I watched
the little boy press his nose against the glass as the train rumbled and
lurched, and then, roaring, shot out under the gently waking stars.
Is this for NaNoWriMo?
ReplyDeleteNo. I've never done Nanowrimo before. I can't operate that way. But this is a short story I started in Berlin synthesizing a lot of the thoughts and experiences I was wrestling with during my four months living there.
DeleteNice post ! Very informative and conceptual writing about stone memorial. Keep share such information with us.
ReplyDeletePosted by : Mary Davis | Stone Memorials